Within the pages of Gilles Deleuze and Felix Guattari’s collaborative works recur images of the most unsettling kind. Writing of capital’s endless thirst for living labour, they remark that it “is no longer the cruelty of life, the terror of one life brought to bear against another life, but a post-mortem despotism” or the despotism of the vampire (AO 228). Of the State’s manufacture of pliable subjects they write that it “makes the mutilation, and even death, come first. It needs them preaccomplished, for people to be born that way, crippled and zombielike” (ATP 425). Of their own virulent politics they demand that “we oppose epidemic to filiation, contagion to heredity, peopling by contagion to sexual reproduction. […] Bands, human or animal, proliferate by contagion, epidemics, battlefields, and catastrophes. […] The vampire does not filiate, it infects” (ATP 241-2). For all their purported joyousness, and the assorted “vital materialisms” which today claim filiation from these erstwhile parents, the two volumes of Capitalism & Schizophrenia are undoubtable compendiums of darkness and terror.
And yet, it is apparent that Deleuze and Guattari’s most morbid imagery appears primarily in their most political statements: when they recall Marx’s account of capital’s “vampire thirst for the living blood of labour” (1976, 367), when they revile the monstrosities of state subjugation, or when they posit a viral infiltration of the very arteries which feed state and capital alike. With this in mind, the object of this paper is to examine the radical politics of Deleuze and Guattari by way of their occulted images and monstrous figures. Specifically, and with reference to Margaret Cohen’s study of the phantasmic Marxisms of Walter Benjamin and André Breton, I wish to propose a “Gothic Marxist” approach to Deleuze and Guattari’s work.